The luxury retail market is always coming up with gimmicks and limited edition goods to lure customers into buying more and more.
Chanel's latest Limited Edition product, is this 2.55 in honor of the Chanel Mobile Art Exhibit. Now this may look like any old 2.55, but for once in fashion, the beauty lies on the inside.
Inside the flap to be specific. Inside the flap, is this signature by the legend of fashion himself, KARL LAGERFELD, commemorating the Mobile Art Exhibit in Hong Kong. Logic tells me that Chanel is trying to rip people off, because the scribbling of a few words inside the flap is certainly NOT worth the premium they are charging for it over the standard 2.55's. A mere signature does NOT bring one closer at any level to the author of the signature. The red/orangey color isn't even that complimentary!
But the fashionista side of me is in AWE that I have been able to get so close to and even trace Karl Lagerfeld's signature. I admit, I might have even let out a tiny squeal of delight. A little like what Victory Ford felt when she found Coco Chanel's dress form in Lipstick Jungle (though of course, this is not QUITE as cool nor meaningful, since I know nothing about designing and making clothes). I know this reaction is probably completely illogical and against my better judgment since it is obviously a marketing ploy to make more money for Chanel, but oh, I just can't help it! :)
And I can't wait to go see the exhibit! Its fully booked this weekend, but I'm definitely going next week! Report back!
Source URL: https://icip2idayusof.blogspot.com/2008/02/
Visit Icip2idayusof for daily updated images of art collection
But the fashionista side of me is in AWE that I have been able to get so close to and even trace Karl Lagerfeld's signature. I admit, I might have even let out a tiny squeal of delight. A little like what Victory Ford felt when she found Coco Chanel's dress form in Lipstick Jungle (though of course, this is not QUITE as cool nor meaningful, since I know nothing about designing and making clothes). I know this reaction is probably completely illogical and against my better judgment since it is obviously a marketing ploy to make more money for Chanel, but oh, I just can't help it! :)
And I can't wait to go see the exhibit! Its fully booked this weekend, but I'm definitely going next week! Report back!
Source URL: https://icip2idayusof.blogspot.com/2008/02/
Visit Icip2idayusof for daily updated images of art collection

The show started off with minimal, well-cut and structured evening dresses. Take note of the shoes: pointy shoes are back! Is the trend with round-toed shoes soon to be over?
These are the more work-suit looks. I hope those tulip skirts become part of the mainstream trends, (and hopefully high street retailers will be 'inspired' to make affordable versions!)
Metallic, shiny dresses are nothing new. But the shapes of these dresses are amazing.
The velvet top with skinny pants/ skirt combo seemed to be a huge favourite. I love how pretty the colourful tops are. And the black & white velvet top look is just amazing with the black eye makeup! Seriously loves it!
The show closed with printed coats and dresses. While I can appreciate how these artistic pieces form part of the collection, I have to say I'm not a huge fan of the coats. For example, the coat on the left makes the model look like she's got a muscular costume on.





My favourite dress of the night was probably Cameron Diaz's Dior dress. Yes, it's not a particularly exciting dress, but I'm a fan of the fabric folds. It's simple, well-designed and pretty. And while it's arguable whether her makeup is too simple for Oscar's, I really like how she sticks to her natural-beauty style.
A trend seemed to be the long, simple dress + big necklace combo. Both Nicole Kidman (in Balenciaga) and Keri Russell (in Nina Ricci) looked very elegant. I thought Keri Russell's dress' colour looks really etheral on her, and the necklace is just a perfect match.
Black was one of the two popular colour choices, and huge gowns were equally popular. I thought the best was Hilary Swank's Atelier Versace gown, with Penelope Cruz's Chanel Couture coming in second.
The other popular colour choice was red. Katherine Heigl looked gorgeous as usual. However, I am getting a bit bored of her old Hollywood look, and her makeup seems a bit overloaded (-the blush).
Heidi Klum's vampy dress was comparatively interesting and she was equally gorgeous (in a slightly different way.)
The Marchesa girls: Anne Hathaway looked really pretty. I like how the dress is one-shouldered in an interesting way, especially the way the fabric looks like it falls and wraps around her arms so perfectly. As for Jessica Alba, she looked pretty (hard to imagine her not looking pretty), but she could probably have done better.
The two people who actually chose interesting dresses were Cate Blanchett, who wore Dries Van Noten and Marion Cotillard, who wore Jean Paul Gaultier. I love how the JPG isn't only shaped like a mermaid, but it also has silver 'scales' on it, and the dress didn't look like a costume. Not surprisingly, Marion Cotillard's dress was many critics' favourite.








The show started off with nun-looking dresses, then the clothes moved onto lacy, see-through skirts.
Lots of lacy dresses. It's very hard to decide whether the dresses are prim or erotic isn't it?
Collars and turtlenecks were there throughout the show. The collars seem reminiscence of Miu Miu S/S08.
Out of the collection, I think the LBD in the middle is my favourite. Hey, at least it's a bit more wearable than the lacy trouser (on the left).
And since we're looking at Prada, we must take a look at the shoes. The shoes sort of remind me of Miu Miu, and something Japanese anime girls would wear after they transform into their ever-impractical outfits to fight against evil.
I LOVE the coats. The coat Vlada is wearing -I can't stop staring at it! I love those artistic folds and the fabric wrapped around her shoulders. SO stylish and modern.
And the jackets look way cool too. Though as style.com mentioned, the suits looked a bit crinkly.
And the simple, work-women-type of looking dresses in all shades of grey.